Skip to main content

Gesangverein Left ~ the Story of Katharina & Jakob Sulzbach, Part the Third

After he has gone, they live in the big Kramer house with ponies and servants.  (See Whose Gesangverein? ~ the Story of Katharina & Jakob Sulzbach, Part the Second; See Sulzbach Pedigree Chart).  Jakob dutifully writes his wife and children and sends money.  Katharina dutifully replies, Augustin is learning his catechism, Maria Regina is learning her letters.   

Rockenberg


When they walk through town, everyone asks about him.  "What is your grand husband doing in America?  In New York, is he?" 

"So talented, your father.  A genius.  Surely he has founded the greatest Gesangverein of them all, in America!"  The little ones giggle, and the older ones smile at the compliments, and nod, but say nothing.

At home, the Kramers are silent on the matter, but Margaretha overhears her grandfather complaining about the measly amount Jakob sends, and Georg asks his siblings who the cowardly deadbeat is that their uncles argue over.

Katharina is not silent.  She daily tells Barbara and Margaretha, even Maria Regina, they must find good husbands who will take care of them, insists to Augustin and Georg they must work hard so they can earn money.

Jacob and Adam warrant individual admonitions.  "You may be named for your father, but you are nothing like him, Jacob. A sharp mind, you have.  You will make your way in the world."

"Adam, get your nose out of those books.  You will never be able to support a wife."

They lurch along like this for several years.  Katharina is mostly silent on the subject of Jakob, so the children must turn to their Sulzbach relatives to answer their questions.  Margaretha and Barbara sing in the Frauenchor, the women's section of their father's Gesangverein.  Named the Concordia, it is growing in size and beginning to perform in other towns.  Katharina does not attend the concerts.  The other children stay away.

Jakob writes glowing letters about America.  He is a missionary of God, teaching music and religion to German emigrants.  The Church's missionary arm has connected him with a parish in New York, St. Fidelis, in a village named College Point, where the people need to receive the Sacraments and benefit from the Holy Father's teachings.   The Church is only 15 years old, small and wooden, unfathomably new compared to Europe's 1000-year religious history, but its priest is young and exuberant.  An immigrant himself, he conducts everything in German.         


Poppenhusen Institute         

College Point itself is small like Rockenberg, but without the farms and fields.  It is a community of music, learning, and culture due to the Institute begun by its benefactor, Conrad Poppenhusen.   College Point has industries, but Poppenhusen has recognized the need to educate and uplift the factory workers.   He has even begun education for young children with the fanciful name of children's garden - kindergarten.  It is a perfect fit for Jakob --- ministering to people far from their homeland through music --- he is living out his calling.

Sketch of College Point









Katharina ensures the children write their father once a month.  She sits with the younger ones, helping Adam spell, giving Georg suggestions on what to say, painstakingly teaching Maria to form curlicue letters without splotching the ink everywhere.  On the day Maria is able to address the envelope legibly, Katharina smiles.  "You are a big girl now!  Here, put your letter with the others so Vati can see that you wrote it yourself." 

 "Where is your letter, Mutti?"

"I don't need to write your father anymore."  Katharina's smile grows wider.  "I've taught you.  Now you can do it on your own."  She turns and walks away.

Jacob and Georg request descriptions of America's marvels - trains running on tracks in the middle of city streets, steamboats, exceedingly tall buildings.  A bridge is being built to connect the cities of Brooklyn and Manhattan - when it is finished, it will be the longest in the world.

Brooklyn Bridge


Jakob always ends his letters by saying how much he misses them and how he longs for the day when God will see fit to bring them together again.  He never says how this might be accomplished, and one by one, the children each come to the conclusion, whether matter-of-factly or in despair, that this will never happen.  In a particularly illuminating moment,  Georg asks his mother when she thinks they will be traveling to America to join Jakob, and receives a slap in the face as his answer.

Plenty of other families are leaving for America for good.  Sometimes the whole family goes together; sometimes the father or adult children go first and the rest follow after a year or two.  Jacob, ever the budgeter, begins to wonder about the finances of all this.  

At 15, Jacob broaches the subject to his siblings.  "Do you think we will ever join Vati in America?"

"I know Mutti won't go," declares Georg, 12, glumly.  "And she probably won't let any of us."

"She'll have to if we're old enough," posits Augustin, 17.

"How could we ever leave Mutti alone?" offers Margaretha, 18.

Jacob brings up money again.  "How much do you think passage to America costs?"  No one knows.

"And how long will it take Vati to come up with the money?"  Barbara, 21, asks.  "How can he save up if he has to send us money to live?"

"But everyone in America is rich!" exclaims Maria, 8. 

Adam, 10, says what everyone is thinking.  "If he's so rich, how come Vati hasn't sent us the money yet?"

Jacob gets back to the math.  "Whatever money he earns, minus the money he needs to live on..."

"Minus the money he sends us," adds Georg, "leaves what he can save."

"Jacob," Barbara instructs, "Mutti trusts you with the money.  You can ask her how much Vati sends.  I will ask someone I know how much a passage costs."

"Then we just need to know how much Vati earns.  And spends," declares Augustin.  

"And how will we ever find that out?" Margaretha ends the conversation in a discouraging tone.

A few months later they regroup.  Augustin has asked about their father's salary and the price of a boarding-house room under the guise of a young man looking at his future.  When the siblings ask, he just shakes his head and hands over the letter.

"My salary is $375 a year.  I know it's not much, but the churches here don't have as much money as they do at home.  Most of the parishioners have little, although we are getting more and more congregants.  We have to rely on subsidies from Rome.  And we're saving every penny to build a real brick building.

To answer your question about living expenses, the boarding house costs $4 a week.  Frau Zoeller is a fine cook and keeps a beautiful table.  Her husband believes in educating the young almost as much as I do.  We have rousing discussions!  And you would like this, Augustin -- they have six beautiful daughters!"

"He sounds like he's having a wonderful time," mutters Margaretha darkly.  "While Mutti struggles to keep us in clothes that fit."

"And cries in her room,"  Maria adds.

"How much does he send, Jacob?" Barbara changes the subject.

"Well, to figure out what it is in American dollars, I calculated..."

"Never mind," Georg interrupts.  "What is it?"

"Almost everything.  He has pfennige, pennies, left for himself."

There is silence as each one imagines a life with a trail of pennies instead of streets paved with gold.

"So there's no money saved for passages," muses Adam, "and no way to get it."

"Unless we earn it ourselves," Augustin decides.

The discovery marks a turning point in which each child, consciously or not, decides to make their own future rather than depend on their parents.   Jacob and Augustin regard their jobs for local employers as more of a stepping-stone to their future, and Barbara and Margaretha find suitable employment with an eye to taking care of themselves if need be.   Jacob starts a little business delivering dry goods to the elderly and the others join in.  They learn that the fancy goods, ribbons and lace, are the most popular among women and load up on those.  Georg determines the most efficient routes while Margaretha creates pretty boxes for delivery that they can charge more for.  Barbara scouts Rockenberg and Oppershofen for more clients while Jacob calculates profit margins.  The business succeeds and people take notice.

Meanwhile, discrimination against Catholics has not lessened in Bismarck's Germany.  In fact, it has gotten worse.  Not only have all the Catholic schools remained closed, but the state even wants to control training for the priesthood, as Adam discovers when he applies.  Conflict between church and state leads to arrests.  Then the news breaks that Bismarck wants to institute a military draft.  Who knows what war he may want to start now?

Jacob makes a decision.  He approaches his Kramer uncles.  "My father writes about his town in America.  College Point is growing in population and has industries, rubber and silk dyeing factories.  My father isn't making much money there, but I think I could."

The Kramers exchange glances.  Their brother-in-law is still much admired in Rockenberg, and his Gesangverein, the Concordia, is very successful, if not profitable.  "That is not where his talent lies," they say diplomatically.  "What is your idea?"

"If you would pay my passage to America and give me money to start my own business, I know I could make a success of it.  I wouldn't have very many expenses; I could live with my father."

"What kind of business?"

"I don't know.  I would get there and see what the prospects are first, then decide."

The uncles grill him some more and then laugh.  "You gave smart, thoughtful answers.  But we were going to give you the money anyway.  Look at what you have started here with your delivery company!  You have ambition, brains, and the self-discipline to work hard.  We are certain of our investment."

Jacob writes to his father and waits for the reply.  Ten weeks later, he boards a train for Le Havre, France, the closest seaport.  It is early summer and the stiff breeze off the ocean is chilly as he heads up the gangplank of the Labrador. 

 "Age?" the ship's officer asks. 

 "19." 

 "Occupation?" 

 Jacob holds the older man's gaze firmly. 

 "Merchant," he says.





*Names, dates, and places are accurate.  Everything else is a figment of my imagination.

The following is true:

Jakob lives out his life in College Point, a musical instructor at St. Fidelis, with his son Jacob.  I don't know what happens to Katharina.  She never comes to America, and he never returns to Germany.

Jacob becomes a successful silk dyeing factory owner in College Point, marries a daughter of the Zoeller boarding-housekeepers, and raises a family.  He and Georg own patents on various machinery.  Georg becomes a salesman in Leipzig.

Adam becomes a priest and an author, scholar, and/or high ranking clergy member.

Maria marries at age 17 and has children.  One son becomes a doctor in Wiesbaden.

Barbara marries a Lutheran man at age 24.

I don't know what happens to Margaretha or Augustin.

Jacob keeps in touch with Maria, Adam, and Georg the rest of their lives.

The Gesangverein, Concordia Rockenberg 1853, is still performing around Europe today.


The teachers in Theodore Zoeller's public schools in Manhattan earned anywhere from $150 for a Class C primary teacher to $1500 for a grammar school principal in 1861.  I gave Jakob an average of that.

In 1869, a pamphlet advertised boarding house rents as anywhere from $2.50 to $40 per week.  Outside Manhattan, prices would be cheaper and a single man would not have as many needs.  So again, I estimated.








Comments